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兔子先生Global Media Center The American Story: A Master Class with David McCullough

To be a good writer, it helps to be a good painter, one of the most acclaimed writers of history and biography told host Marvin Kalb on the May 12 edition of 鈥淭he Kalb Report鈥 at the National Press Club.

David McCullough, who has won two Pulitzer prizes for his biographies of John Adams and Harry Truman as well as a Presidential Medal of Freedom, the nation鈥檚 highest civilian award, said he had seriously thought of becoming a portrait painter when he studied at the Yale School of Art.

McCullough, who was seated across from Kalb on the dais, studied the host鈥檚 face.

鈥淚f I were painting your portrait, the way I would show the light and wonderful sparkle of your eyes is to have a shadow or a dark side of your face to make the light side look better,鈥 he said to Kalb鈥檚 amusement, and continued.

鈥淚t鈥檚 the same in writing about people. You have to show the shady side or the dark side. Otherwise it will be boring.聽 Perfection is boring. Thank goodness none of us are perfect. Imperfection is the human story.鈥

When McCullough teaches courses in writing, he said, he encourages his students to take a course in drawing or painting.

鈥淲hen you learn to draw or paint, you look at people or the setting in a different way than you ever did before, because you have to,鈥 he said.聽 鈥淚t helps.鈥

In a wide-ranging talk about the art of writing history, the state of American history, and how today鈥檚 presidential election fits into the nation鈥檚 history, McCullough said he chooses his subjects carefully.

鈥淚 have to ask myself, I鈥檓 going to spend five years with this man or this woman or maybe more,鈥 said McCullough, whose most recent book is about the Wright Brothers. 聽鈥淒o I want him for my roommate that long a time? I have to find someone very interesting.鈥

But, McCullough said, he never chooses someone he knows much about.

鈥淭o me, embarking on a book is an adventure. It鈥檚 a journey, putting my foot on a continent I have never been to before鈥 he said. 鈥淲hen I start a book, I really don't know much about what happens to that character in his or her whole life.

鈥淚 want to get to it chronologically, like they did,鈥 he said. 鈥淎lways there are surprises. And always, when I realize what they have been through, my admiration for them increases, even if I don't necessarily agree with them.鈥

McCullough said he started his career as an English major who had taken few history courses. Then, in the late 1960s, he ran into some photos at the Library of Congress taken in the aftermath of the flood that consumed Johnstown, Pennsylvania, on May 31, 1889.

鈥淭his was a disaster as terrible as 9/11. More than 2,200聽people were killed,鈥 he said. 聽聽鈥淲hat happened?鈥

The only book about the disaster wasn鈥檛 very good, McCullough said, so he decided to write one himself.

鈥淥nce I got going, I knew this is what I wanted to do for the rest of my life.鈥

In writing history, one should never look at it in the past tense, from the perspective that you know what is going to happen and that events are locked in, McCullough said.

鈥淵ou have to create the air of freedom, the air that none of your characters know what鈥檚 ahead of them,鈥 he said. 鈥淭here is no such thing as the foreseeable future, not now, not ever.鈥

Instead, McCullough said, writers have to put themselves into the time period that they are documenting and look at events as though they were happening for the first time.

History 鈥渟hould never be conveyed as though it was on a track,鈥 he said, 鈥渂ecause it was never on a track.聽 It could have gone off in any number of different directions, principally because of the actions of individual people.鈥

It鈥檚 that human dimension that makes history so interesting, he said, because humans are never boring.

McCullough said his cause in life is to find figures who deserve credit and have not received it.聽 He said he believes in the importance of failure, to write about people who made mistakes but got back up on their feet and pushed on.

鈥淲hen choosing a leader it鈥檚 important to take a careful look at how often he has faced failure or an embarrassing mistake,鈥 he said. 鈥淚f they have never known failure, I would say be careful. Because every president of the United States will have things go wrong.鈥

Looking through the lens of his long view of American history,聽聽聽 McCullough聽 told Kalb聽 that Donald Trump鈥檚 rise to be the presumptive Republican nominee baffles him.

鈥淗ow does the party of Abraham Lincoln and Theodore Roosevelt and Dwight Eisenhower even consider nominating a man who has risen to his prominence and wealth by television shows and owning gambling casinos?鈥 he replied to Kalb鈥檚 question asking how the American political experiment could produce Trump.

Trump, McCullough said, has never served his country in any way 鈥 ever -- and doesn鈥檛 seem to have any curiosity about what he might need to know to do the job.

鈥淚t would be as if we were about to put someone in the pilot seat who has never flown an airplane,鈥 he said, 鈥渁nd we鈥檙e all going to get on board.鈥

for more about McCullough鈥檚 perspective鈥攐n the role of freedom in the American Revolution, Thomas Jefferson, the state of American history, the impact聽of the dinner table on聽education 鈥

The Kalb Report is a joint project of the National Press Club, University of Maryland University College, the George Washington University, and Harvard University. It is underwritten by a grant from the Ethics and Excellence in Journalism Foundation.

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